Showing posts with label yoga philosophy. Show all posts
Showing posts with label yoga philosophy. Show all posts

Wednesday, 2 February 2022

Grant MacEwan, The Language and Literature of Yoga

Namaste 🙏 

There is a saying in Sanskrit, the original language of Yoga that in any learning environment:

We learn 25% from our teachers, 25% from our peers, 25% we figure out ourselves and 25% we learn over time. 

That said, in addition to following along with this post in today’s class, I invite you to return and review the material and links, contemplate their relevance in your life and practice, and discuss them with your classmates. 

Rest assured, not all of it was meaningful to me from the beginning, and there is always more to learn, so if some of this feels like more than you’re ready for, that’s ok, you have a lifetime to practice.

I have included several questions for your consideration. Please feel free to voice your answers or further questions for discussion during class.



The Language and Literature of Yoga


Sanskrit is the primary classical language of India, and the original language of Yoga which is considered to be one of the six classical schools of Indian Philosophy, and includes the posture practice with which we are familiar.

The word Sanskrit means "perfected" or "refined" and has a rich tradition of creative, scientific, philosophical and religious texts. 

Although it is no longer widely spoken on a daily basis, it is still very much in use as a ceremonial language.

The beautiful script is known as Devanagari, or the "vehicle of the gods". 


The Cambridge Introduction to Sanskrit  is the best introductory text I have come across and is recommended for use in the Sanskrit classes at the University of Alberta. Click in the link and go to “Other Resources “ to find free alphabet charts, videos, worksheets and more.

Yoga Sutras in Devanagari and Transliterated Sanskrit from the Arlington Centre is a free PDF of the full Yoga Sutras of Patanjali with the diacritical marks. I’m not necessarily saying this is the “best” translation, but I do find the format and language approachable and helpful for beginners.

Q. Does language matter? Do names matter? What are some of the challenges and benefits of studying Yoga with or in the original language?



Transliteration Vs. Translation


Transliteration is transposing the sounds of one language into the script of another.  The use of standardized diacritical marks allows for accurate representation of sounds unique to a language.

Q. What challenges may a student encounter during the transliteration phase?

Translation is converting the words of one language into the words of another to facilitate understanding of the meaning of words or phrases. 

Q. What challenges may a student encounter during the translation phase?

Sanskrit in Modern English

English is a member of the Indo-European language family, one of several descendants of Sanskrit.

Many non-yoga specific words in English (jungle, bandana, pyjama, suture, jugular etc.) are borrowed or derived from Sanskrit. 

Many Sanskrit terms specific to yoga are becoming well known in English through the names of postures, authors, teachers and gurus.  Because their meanings may become lost in translation, often the original words are simply adopted into our modern language.

Here is an extensive and perhaps surprising list of English words of Sanskrit origin.

Q. What’s your favourite English word borrowed or derived from Sanskrit ?



Hints for Pronouncing Sanskrit Words and Names


Here are a few basic tips for pronouncing unfamiliar Sanskrit vocabulary, places and names:

- unlike English, Sanskrit is a phonetic language, meaning each and every letter is pronounced and always in the same way.

- transliterated letter "a" is pronounced "uh” as in "around" rather than "a" as in "after" or “Canada”

- each consonant is followed by a short “a” sound unless modified by other vowels. Letters do not have names in Sanskrit, they are known by their sounds.

- knowing where in the mouth the sound is produced will help you understand how to produce the sound

- there is a distinct and unfamiliar difference for English speakers between unaspirated and aspirated consonants ("b" vs. "bh" etc.)

- Sanskrit has no "th" sound, as in English “think" or "th" as in "this".  Rather the “th” in transliterated words indicates an aspirated consonant. For example, the word "Hatha"is pronounced "ha-tha" (“t" with a puff of air) rather than the common English mispronunciation of "Ha" (as in hat) "tha" (as in thug). Note* there are two such sounds which may seem similar to your ear but are actually produced in different areas of the mouth.

- longer words and names are often compounds of shorter words, so try breaking them down into syllables.

Here is a more extensive pronunciation guide should you wish to explore this matter further.

Q. What difficulties may arise when words or names are mispronounced?

Q.  What are some benefits of speaking more than one language?

Foundational Literature

Foundational texts are works of world literature which achieve a certain status for their presentation of ideas as representative of a culture or philosophy. 

Philology is the study of literary texts, their meaning, authenticity and historical context.


The Foundational Texts of Yoga


The Vedas

Meaning "wisdom" or "knowledge", the Vedas are traditionally said to be the revelations of sages during deep meditation, carefully preserved and considered to be the roots of Indian philosophy.

They are among the oldest sacred texts in the world, written approximately 1700-1100 BCE.

They were transmitted by oral tradition alone until around 1000 CE. They emphasize formal ritual and rites of passage like marriage, birth and death. 

They also introduce dana (compassion), karma (action and reaction), sacred dance and Ayurveda (sister sciences of yoga).

The Upanishads

Upanishad means “to sit at the feet” [of a Guru].

There were approximately 200 Upanishads written between 1000 BCE and 1500 CE including sections on philosophical theory and the practice of virtues like satya and ahimsa later also elucidated in the Yoga Sutras of Patanjali.

Topics include consciousness, brahman, atman and maya, or the Source, the Self and the illusion that keeps us from seeing them as the same. It also proposes multiple etymological possibilities for Bija or “seed” mantra Om (Aum)

Of the great statements or mahavakyas of the Upanishads is Aham Brahmasmi, or loosely translated, "The Self and the Divine are one and the same." A similar sentiment can be said to be encapsulated in the sound symbol Om.


Arjuna and Krishna, the main characters in the Bhagavad Gita

The Bhagavad Gita

Written approximately 400 BCE, this text is just one chapter of an epic poem called  The Mahabharata.

It is one of the most heavily translated texts in the world. It highlights themes of  Dharma(duty and heroism), Yoga (and the paths of yoga, Karma, Jnana and Bhakti), Moksha or liberation from suffering and the cycles of suffering on the “battlefields" of life.


One key definition of yoga in this text is:

Yoga karmasu kaushalam (Yoga is skill in action.) found in Chapter 2 verse 50.


The Yoga Sutras of Patanjali

Also known as the Patanjala Yoga Shastra, written approximately 1600 years ago, (perhaps as late as 325-425 CE suggests recent research by Dr. Philipp Maas), Patanjali was the first to codify the teachings of yoga into a written format known as Sutras. Ideally these terse aphorisms are studied in the original language along with the first commentary called the Yoga Bashya.

Yoga Studies Podcast, Philipp Maas

Yoga Sutra Chant, The Sanskrit Channel

One of Patanjali’s key definitions of yoga is stated in the second line of the first chapter:

Yogaschittavrittinirodhah (Yoga is the stopping of the disturbed waves of the mind.)

In the second chapter, the author famously outlines a strategic "eight-limbed" path of practice which moves from external practices (yamas, niyamas, asana, pranayama, pratyahara) to internal experiences (dharana, dhyana, and samadhi). The path is known as Ashtanga or Raja Yoga. This practice is widely regarded as central to modern Hatha Yoga.

The sound symbol Om is mentioned in chapter 1, sutras 27-28 as the energy of manifestation which should be chanted repeatedly (japa) to encourage introspection and remove obstacles to the state of samadhi.

Q. How do these “definitions” compare/contrast with the modern interpretation of yoga in Canada?

Q. Is reading these texts in their original language necessary to achieve the goal of yoga?

Please note* This is by no means a full list of the foundational texts of yoga! It is only the tip of the tip of the iceberg! Please do explore further.

Krishna playing his flute


Mantras, Stories and Songs

Traditionally, Yoga was an oral tradition, passed from person to person keeping the teachings both alive and lively.

Singing, chanting, poetry and recitation, in fact all forms of sound, speech and writing are venerated in yoga philosophy. Personified as a beautiful Goddess, language is seen as a muse for creativity.

Storytelling is used widely as a teaching tool for students of all ages.

Music and sacred sound are central to the theory-practice continuum. They attract the attention, help maintain focus, reset dissonant physical and mental vibrations and uplift the environment.

Q. How can some knowledge of Sanskrit enhance my experience of yoga?


In Conclusion

I hope that I have passed on to you some of the reverence and enthusiasm I feel for the Language and Literature of Yoga, as well as points for reflection and some resources with which to follow up on your curiosity. 

Thank you for your time and attention today. Namaste!





Thursday, 21 May 2020

Namaste PAC 156

Prince Arjuna and his Charioteer Krishna
Here are some links to further whet your appetite for the Language and Literature of Yoga.

There are many more resources collected here in Kali's Kitchen.  Make yourself at home.

As one of the most important symbols of yoga, Om is a whole subject in and of itself.  As a starting point, you may like to read this Kali's Kitchen post on The Meaning of Om.

The Cambridge Introduction to Sanskrit is the best text I've seen on the subject and is the text used in the University of Alberta's Sanskrit courses.  You can find alphabet charts, sample chapters, practice sheets, and more here.

Here you can contemplate more of the Vedantic Nyayas or metaphors about illusion (maya) and reality, like the examples I gave of "The Rope and the Snake" (Rajjusarpa-Nyaya) and "Water off a Lotus Leaf" (Padmapatra-Nyaya).

And most importantly for your studies, here is a previous post with a full and detailed recap of my lecture.

Thank you for this opportunity!  Best wishes on your path!

Tuesday, 10 March 2020

Namaste, MacEwan Yogis and Yoginis

Devanagari writing of the Sanskrit Maha Mantra
Here is a link to a summary of my presentation on The Language and Literature of Yoga.

A couple of additional notes:

- The aspirated "th" sound in the word Hatha which we practiced pronouncing is listed with the cerebral consonants on the Sanskrit Alphabet chart because the tongue is placed at the roof of the mouth.  If you find that too difficult to pronounce, just remember that the "th" sounds more like a "t" with a puff of air than like the English words "this" or "think".

If you're interested in more in-depth study of the Sanskrit language, I recommend The Sanskrit Channel on YouTube as a starting point.


- Also, regarding the "Key Definitions of Yoga" given in my presentation and summary, be aware that these are not the only classical definitions of Yoga.  However, they are widely accepted as representative of key concepts in each of these works of literature and of the practice of yoga in general.  

- In case you would like to read the full verse from the Bhagavad Gita, it is found in Chapter 2, Verse 50.





Friday, 6 September 2019

Namaste, 2019 Yoga Teacher Trainees at Yoga Within!

Marigolds, representing "Plasticity"
A heartfelt welcome to the new 2019/2020 class of Hatha Yoga Teacher Trainees at Yoga Within!

I wish you all the cheerfulness and flexibility you will need to navigate this lifelong journey of personal transformation.

I'm aware that in this age of prolific body-centered practice, studying the origin, history, and philosophy of yoga may seem a bit... extra.  

Yoga (or more precisely, the practice of yoga asanas) has become a global phenomenon and a multi-billion dollar industry.  Millions of people in Canada alone now participate in classes, workshops, and retreats.  Remarkably, the numbers keep growing.

While some think philosophy and history are irrelevant to yoga today or that philosophy is something "other people" think about, actually, There is no one who does not have a philosophy.  Learning about the origins and intentions of Classical Yoga can help us to identify and examine our own philosophy (and hypocrisy) in yoga and in life.

Knowing where the teachings come from, how they blended into modern culture, and how experts see them trending in the future can make you a more critical (I don't mean judgemental) and engaged student. It can also make you a more informed and professional Yoga Teacher.

Today's yoga teachers need to navigate issues of cultural and spiritual sensitivity.  They encounter students from many backgrounds and educational frameworks.  In order to address the wide range of physical, mental, emotional, spiritual and social issues students seek out yoga to address, it is essential to be aware of the "big picture".  Having as many tools in your box as possible allows you to excel when preparing and presenting yoga to individuals or groups and have a positive impact on your students and your community.

Many yoga teacher trainees are surprised to discover that this part of their education is not boring or dry.  It does not require a brilliant mind or running away to a cave.  Rather, it is a way to examine and articulate your own values and goals.  It allows you to engage with the purpose behind the practice.  It develops compassion and respect for the ideas and ideals of all Yogis and Yoginis, past, present, and future.

I hope to convey some of my enthusiasm and spark your curiosity about Yoga's original language, oral history, and works of world-literature as well as the fascinating cast of characters who have brought Yoga to Atha, or "this moment" which all of our previous experience, contemplation, education, and practice have prepared us for.

"And now the teaching on Yoga begins." P.Y.S. 1.1

Namaste,
Tara 


Wednesday, 30 January 2019

PAC 156, Yoga and the Chakras

I'm honored to be a guest in your Yoga class today to introduce an asana practice which focuses on the pranamayakosha.

It is adapted from the "Yoga of Lady Niguma" which was taught to me directly by Geshe Michael Roach.  Through postures and meditation, we will concentrate on the movement of prana through the nadis and chakras.

According to the Hatha Yoga Pradipika, there are 72 000 channels in the body through which life energy flows.  They intersect at hubs referred to as chakras, meaning "wheels".  These chakras are knots which prevent the rising of Kundalini.

Tibetan Buddhist practitioners of Yoga have their own unique interpretation of this system of subtle channels which you can read about here, here and here.

Geshe Michael describes the history of this series and the life of Lady Niguma here.


And teaches the first series in full here.


I hope you learn something today which is of help to you in your studies and in your daily life.

I look forward to seeing you next month for an Introduction to the Language and Literature of Yoga.

Tuesday, 4 December 2018

Thank You, MacEwan University

Om Symbol at the Sivananda Yoga Retreat, Bahamas
Namaste,

Here are a few links, charts and tips to support today's guest lecture on The Language and Literature of Yoga.  

Feel free to browse around Kali's Kitchen.  It's a cozy place to explore the paths of Yoga and allow your own realizations, musings, and practice to "cook".

Enjoy!

We began today's class with the chant Om Sahana Vavatu in the call-and-response style of a traditional ashram or gurukulam.


The main topics introduced were:

The Language of Yoga:

The Foundational Literature of Yoga:

The Vedas
The Upanishads
The Mahabharata including the famous chapter The Bhagavad Gita
The Yoga Sutras of Patanjali

*Although we didn't discuss it in class, I also recommend the highly influential 15th-century text The Hatha Yoga Pradipika for a deeper understanding of the foundations of the path of Hatha Yoga specifically.


Key Definitions of Yoga:

The Vedas and the Upanishads: Aham Brahmasmi or "The microcosm (individual self) and the macrocosm (universal Self) are one and the same."

The Bhagavad Gita: Yoga karmasu kaushalam or "Yoga is skill in action"

The Yoga Sutras of Patanjali:  PYS 1.2 Yogash chitta vritti nirodhah or "Yoga is the stopping of the fluctuations of consciousness/the stilling of the mind."


Note* If you are in need of source materials for papers or your own personal study, I highly recommend archive.org, a non-profit digital library of millions of scanned documents and texts.

Final Chant:  Asato Ma Sadgamaya


Best wishes in your studies.  May your learning be brilliant and may it bring peace of mind, peace in the world and peace in your life.

Om Shanti,
Tara




Sunday, 28 October 2018

Yoga Within, TTP Homework

Source: Hindustan Times (Shutterstock)
Namaste Hatha Yoga Teacher Trainees,

It was great spending time with you today introducing the Language and Literature of Yoga.

Next time we meet, we will be examining two of the foundational texts of Yoga in greater depth:


  • The Bhagavad Gita
  • The Yoga Sutras of Patanjali


To prepare, please select one translation of each of the aforementioned texts and answer the following twelve questions for each:

1) What type of source is it?
2) Who authored or created it?
3) What year was it written or created?
4) What historical events were taking place at the time?
5) Who was the intended audience?
6) What point of view does the author/creator represent?
7) How does the point of view shape the source?
8) What does the source contribute to Yoga as we know it?
9) Is this source historically convincing? Why or why not?
10) Why did you choose this source?
11) Would you recommend this source to others?  If so, who?
12) How did this source translate the key definition of yoga? (BG 2.50 and PYS 1.2)

This set of questions has been adapted from The Historical Thinking Project, Primary Source Evidence template.  The Historical Thinking Project is a non-profit educational initiative, funded by the Department of Canadian Heritage, which promotes critical historical literacy for the 21st Century.

Om Shanti


Sunday, 12 March 2017

Stories of King Janaka: Saving Attention

Narada bows to Vishnu, Image Source
According to the Yoga Sutras of Patanjali, the goal and practice of Yoga both have to do with Chitta Vritti Nirodh, or stopping the waves of the mind.

This is accomplished through an eight-fold set of practices known as Ashtanga Yoga.

In Patanjali's Ashtanga Yoga, withdrawal of the senses (pratyahara) facilitates concentration (dharana) which leads to meditation (dhyana) which in turn leads to oneness (samadhi).

Narada Muni is a joyful, mischievous storyteller who wanders the worlds sharing news and wisdom.

Here is a story of King Janaka's visit from Narada Muni:

“You know King Janaka was called ‘Vidheha’ (means also ‘dead’ or ‘liberated from the body’). 

Great sage Narada asked him one day, 
‘ Revered Sir, how are you called as Vidheha, you live in this world, how can you be a Vidheha?’ 
Raja Janaka said,’this is very simple. I will tell you about it in the evening. 
Now, please do this little job for me. There is milk in this bowl. You take this bowl & come along with me. Please see that not a single drop of milk is spilled on the Earth. 
Then only I will tell you why I am called Vidheha’. 

Narada took the bowl & followed Janaka everywhere. He had to be very careful because the bowl was such that by the slightest movement the milk might have spilled. He got very tired. 
When they returned in the evening, Narada asked ‘Please tell me now, 
I am quite fed up with carrying this bowl & following you everywhere at the same time.`

Raja Janaka said, `First of all tell me what you have seen?’
Narada, `Nothing except this bowl of milk so that it won’t spill.`
Raja Janaka, “Didn’t you see, there was a big procession in my honour, then there was a court wherein, there was programme of dancing? Didn’t you see anything?
Narada said, “No sir, I have not seen anything”.

Raja Janaka, `My child, likewise with Me, I also see nothing. 
All the time, I just watch my attention. Where is it going? 
Making sure that it won’t spill away like the milk.`

“This sort of attention one has to develop: chitta nirod’.  
Nirod means the saving of your attention, so your attention should not be on saving money & worldly things and all that, but attention itself must be saved. 
As you watch your money, as you watch your road when you drive, as you watch your child, when it is growing, as you watch the beauty of your wife, or the care of your husband, 
all put together you watch your Self – your attention.” 
(Shri Mataji)




Wednesday, 1 March 2017

Stories of King Janaka: Ashtavakra, the Guru with Eight Bends

Ashtavakra: Image Source, Wikipedia
King Janaka was the student of a young man with a dreadful physical condition.

It is said that in the womb, Ashtavakra listened to his learned father reciting Sanskrit slokas.

Once, his father made a mistake.

The fetus made a sound to indicate that a correction should be made.  Insulted, the man cursed his unborn child to be born with crippling deformities of eight kinds.

King Janaka and Ashtavakra, Image Source: Wikipedia
As a young boy, Ashtavakra entered the court of King Janaka, and despite his youth expounded with great wisdom, knowledge of the Self.

This conversation is recorded in the Ashtavakra Gita which presents the Self as Witness, pure, radiant and majestic consciousness.

It also discusses the nature of reality, freedom and bondage from the point of view of Advaita Vedanta, the classical school of Indian philosophy which emphasizes Jivanmukti, the idea that moksha (freedom, liberation) is achievable in this life.

It states:

If you wish to be free,
Know you are the Self,
The witness of all these,
The heart of awareness.
Set your body aside.
Sit in your own awareness.
You will at once be happy,
Forever still, Forever free.
(...)
You are everywhere,
Forever free.
If you think you are free, You are free.
If you think you are bound, You are bound.
Meditate on the Self.
One without two,
Exalted awareness.
— Ashtavakra Gita 1.4–14, Translator: Thomas Byrom[6][7]

There is an interesting rendition of this story on the Isha Blog.  In it, Sadhguru concludes,

"One’s progress within oneself has nothing to do with what a person does on the outside, what is most important is, what a person is doing within him or herself. What you are doing with the outside world is just social; you conduct yourself as it is suitable for the situation in which you exist. It has social relevance but no existential or spiritual relevance. How you are within yourself is all that matters."

Monday, 27 February 2017

Stories of King Janaka: Yajnavalkya and the Light of Man

Yajnavalkya, Image Source: Wikipedia
Yajnavalkya is one of the earliest philosophers in recorded history.

He is famous for coining the word "Advaita" and for debating the nature of existence using the method of neti neti ("not this, not this") to discover the universal Self and Ātman.

He is also applauded as one of the rare Vedic scholars in history who encouraged and included women in the study of scriptures and debate, as seen here in a comment addressed to Maitreyi:

One should indeed see, hear, understand and meditate over the Self, O Maitreyi;
indeed, he who has seen, heard, reflected and understood the Self – by him alone the whole world comes to be known.
— Brihadaranyaka Upanishad

This story of Yajnavalkya and King Janaka, also from the Brihadaranyaka Upanishad, points to the Self as the source of illumination when all other lights have gone out.

Here is a longer narrated version of the same text for you to enjoy:

Brihadaranyaka Upanishad, Yajnavalkya speaks with King Janaka